Exhibition | Tactile Sublime

DODOMU
Tactile Sublime
June 3 - 29, 2021

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dodomu is a contemporary online gallery with a team based in Brooklyn, NY. We focus on showcasing emerging artists through online group exhibitions and represent a variety of media such as painting, photography, sculpture, digital and mixed media with emphasis on abstraction. While currently all of our operations are virtual, our longterm goal is to open a physical space in the future as we continue to grow.

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Review | Press Herald

Mayo Street Arts Pop-Up Gallery
January 1 - 29, 2021

Review by Jorge S. Arango for the Portland Press Herald

Shannon Rankin uses maps to express the constancy of change. Maps are fundamentally about charting and defining, fixing with exactitude some sense of place. Yet there are metaphorical maps as well: maps of the mind (where memory and experience are the sextants and compasses of a personal cartography), career maps (which navigate the path of our livelihoods), emotional maps (which bind us to expectations about relationships that don’t allow for growth and development), and so on. Yet boundaries keep shifting – glaciers melt, one country annexes another, we have revelations that shatter our identities, we get downsized, we grow apart and divorce. Rankin obscures and changes the neat grids, longitudes and latitudes of her maps using ink, salt and wax. By doing so, she captures the ephemeral reality and usefulness of any map.

– Jorge S. Arango

Exhibition | Postcards of Positivity

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Postcards of Positivity
Artrinity
Dallas, TX

June 15 - July 31, 2020

I donated three pieces to Postcards of Positivity, during the Pandemic, benefiting artists and Artist Relief organized by Artrinity and The Goss-Michael Foundation

For more information visit Artrinity

Images: Untitled l, ll, lll, ink, pigmented graphite, rust, wax on topographic maps, mounted to paper, 6" x 4", 2020.

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Collaboration | Joshua Hagler

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Postcards of Positivity
Artrinity
Dallas, TX

June 15 - July 31, 2020

I collaborated on this piece with Joshua Hagler and we donated it to Postcards of Positivity, during the Pandemic, benefiting artists and Artist Relief organized by Artrinity and The Goss-Michael Foundation

For more information visit Artrinity

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Image: Untitled, 2020, ink oil and wax on collaged topographic map, 6 x 4 inches

A collaboration between Shannon Rankin & Joshua Hagler
Copyright The Artists

Exhibition | Simulacrush

[ON]now | Simulacrush
CMCA's first virtual exhibition
curated by SISTERED
Dec 14, 2019 - Apr 5, 2020

Simulacrush features eighteen artists meditating on states of reality across media. This timely group of work wrestles with systems of difference, communicating and distorting truth in a hyperreal fashion—simulacra. In a moment where information is manifested, digested, and regurgitated with extreme speed, presenting this work in a virtual environment becomes necessary to understanding the states in which we find ourselves and the ways we manipulate it. Here there is an incredible amount of fact, so much that it becomes fiction, or does it? This group of work offers a glimpse at the creation of truth from a distorted copy of reality. This is liquid, urgent, thrashing, seductive.

Artists included:
Ben DeHaan, Zoe Fox, Elizabeth Hoy, Nate Luce, Heather Lyon, Mugwort (Jeonguk Choi + Soomin Kim), Oliver, Shannon Rankin, Joshua Reiman, Bob Richardson, Justin Richel, Tollef Runquist, Will Sears, Matt Shaw, Anoushe Shojae-Chaghorvand, Irina Skornyakova, Riley Watts, Robert Younger

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Guest Curator | Curious Nature

Curious Nature
2018 Alumni Triennial Exhibition 
The Institute of Contemporary Art at Maine College of Art 
Portland, ME

August 3 - September 15, 2018

ICA at MECA

Curious Nature brings together a diverse group of artists who draw inspiration from the natural world. Employing various mediums, from painting to sculpture, photography, and installation, their works are rooted in the act of looking closer.

The clearest way into the Universe is through a forest wilderness. - John Muir

These artists explore our relationship with the natural world through investigating the structure of reality, daily rhythms, beauty, texture, and emergent patterns. Focusing their attention on places and processes that are often overlooked, they illuminate the various forces affecting ecosystems and the environment that surrounds us. Their perspectives range from the micro and macro, revealing new views of familiar terrain. In an attempt to capture that which is in a state of constant transformation, they record their surroundings, yielding works that inspire our own sense of awe, inviting us to both celebrate nature and protect it. - Guest Curator, Shannon Rankin ’97.

Rankin’s selections include fifteen artists exhibiting diverse works that range from painting, printmaking and photography, to sculpture, ceramics, metalwork and installation. Artists include: Annika Early MFA ’16 (Portland, ME), Kristin Fitzpatrick (West Kennebunk, ME), Danielle Gerber ’12 (Portland, ME), Alisha Gould MFA ’10 (Kennebunk, ME), Kayla Goulden ’13 (Portland, ME), Lenka Konopasek MFA ’01 (Salt Lake City, UT), Mark Marchesi ’99 (Portland, ME), Tessa Green O'Brien MFA ’16 (South Portland, ME), Isabelle O'Donnell ’17 (Portland, ME), Catherine Quattrociocchi ’17 (Portland, ME), Sam Richardson ’15 (Portland, ME), Celeste Roberge ’79 (South Portland, ME), Bryan Stryeski MFA ’01 (Brooklyn, NY and Avon, CT), Sarah Camille Wilson ’07 (Burlington, VT) and Charley Young MFA ’14 (Halifax, NS).

Images courtesy of the Institute of Contemporary Art at Maine College of Art. Photography by Kyle Dubay

Review | The Rib

Water is Everything
Drive-By Projects
November 18, 2017-January 16, 2018

Review by Mallory A. Ruymann for The Rib

Water is Everything unpacks the physical, historical, and socio-political shape of water with paintings by Judith Belzer and Cheryl Molnar, and works on paper by Joseph Smolinski and Shannon Rankin.

Molnar's contribution, Cliffside, depicts a house balancing on the edge of a cliff, a structure which Molnar delicately incised into the painting’s wood support. Though not explicitly rendered, erosion and other landscape elements (represented by dense clusters of painted paper) associated with our rapidly changing coastlines hint at the presence of water. Belzer’s small untitled oil-on-canvases (from the Half Empty Half Full series) portray the Hoover and Glen Canyon dams. The breakdown of the renewable water cycle means that these dams will soon become obsolete, though their physical forms will persist. Belzer paints the dams in an abstract style that de-emphasizes their present function in favor of their form, presaging their unproductive--but stylized--future role as monuments. The future also concerns Smolinski, whose phosphorescent-like Open Water drawings capture the uncertainty of what climate change may do to bodies of water. Rankin’s Earth Embroideries preserve satellite images of arctic landscapes in the medium of thread on paper, counteracting the ongoing transformation wrought on those landscapes by slowly melting glaciers. A cluster of branded water bottles stands on a plinth at the front window of the exhibition. Not credited to any particular artist, the cooperative sourcing of these vessels offers a potential salve to water’s precarious state. By working collectively around shared goals, we can perhaps determine the destiny of water.

- Mallory A. Ruymann

Exhibition | Water is Everything

Water is Everything
Drive-by Projects
Watertown, MA

November 18, 2017 - January 16, 2018  
Opening reception: Saturday, November 18, 3-5pm  
Hours: Thursday 12 - 4 pm or by appointment 617.835.8255

Drive-by Projects

Water is Everything, an exhibition of paintings by Judith Belzer and Cheryl Molnar, and works on paper by Joseph Smolinski and Shannon Rankin.

Review by Mallory A. Ruymann for The Rib.

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WATER IS EVERYTHING

DRIVE-BY PROJECTS

NOVEMBER 18, 2017 - JANUARY 16, 2018

JUDITH BELZER
CHERYL MOLNAR
SHANNON RANKIN
JOSEPH SMOLINSKI

BY MALLORY A. RUYMANN
REACTION > WATERTOWN, MASSACHUSETTS
JANUARY 25, 2018

Water is Everything unpacks the physical, historical, and socio-political shape of water with paintings by Judith Belzer and Cheryl Molnar, and works on paper by Joseph Smolinski and Shannon Rankin.

Molnar's contribution, Cliffside, depicts a house balancing on the edge of a cliff, a structure which Molnar delicately incised into the painting’s wood support. Though not explicitly rendered, erosion and other landscape elements (represented by dense clusters of painted paper) associated with our rapidly changing coastlines hint at the presence of water. Belzer’s small untitled oil-on-canvases (from the Half Empty Half Full series) portray the Hoover and Glen Canyon dams. The breakdown of the renewable water cycle means that these dams will soon become obsolete, though their physical forms will persist. Belzer paints the dams in an abstract style that de-emphasizes their present function in favor of their form, presaging their unproductive--but stylized--future role as monuments. The future also concerns Smolinski, whose phosphorescent-like Open Water drawings capture the uncertainty of what climate change may do to bodies of water. Rankin’s Earth Embroideriespreserve satellite images of arctic landscapes in the medium of thread on paper, counteracting the ongoing transformation wrought on those landscapes by slowly melting glaciers.

A cluster of branded water bottles stands on a plinth at the front window of the exhibition. Not credited to any particular artist, the cooperative sourcing of these vessels offers a potential salve to water’s precarious state. By working collectively around shared goals, we can perhaps determine the destiny of water.  

Drive-By Projects
Located at 81 Spring Street in Watertown, MA, Drive-By is a small, innovative space committed to exhibiting provocative work in its storefront windows and small gallery.

Founded by Beth Kantrowitz (Allston Skirt Gallery) and Kathleen O'Hara (OHT Gallery), Drive-By is open Thursdays 12-4 and by appointment, though you can always drive by our windows to view the current exhibition.
drive-byprojects.com

Mallory A. Ruymann is an educator, curator, and art historian based in Boston.

Background image:
Shannon Rankin, Earth Emroidery (Glacial Furrows), 2016, hand stitched thread on paper, 7 x 7"

Exhibition | Materiality

Materiality: The Matter of Matter
Center for Maine Contemporary Art
November 11, 2017 - February 11, 2018

You begin with the possibilities of the material. –Robert Rauschenberg

The question of how and why an artist uses materials has long been a topic of consideration in art history. Today, many artists are looking to this question and seeking to find a balance between what they use to make work and the concepts behind them. Providing agency to the materials themselves, artists are looking at materials as a means of communication, whether they are expanding on traditional media and narratives or utilizing everyday objects to construct new forms. Exploring these concerns in their work, the artists included in the exhibition, all with ties to Maine, are also considering why they choose to work with certain matter in our current material culture and social climate, and the role that these materials play within it.